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LESS IS MORE Art, Photo & Misc.
BRASSAÏ
Métro Modern Style, 1933.
Illustration of the article “De la beauté terrifiante et comestible de l’architecture Modern Style”, Minotaure 3-4 (1933) by Salvador Dali, where he wanted to defend the edible values of the Modern Syle, represented by architects like Antoni Gaudi or, in this case, Héctor Guimard (Paris Métropolitain entrances).

BRASSAÏ

Métro Modern Style, 1933.

Illustration of the article “De la beauté terrifiante et comestible de l’architecture Modern Style”, Minotaure 3-4 (1933) by Salvador Dali, where he wanted to defend the edible values of the Modern Syle, represented by architects like Antoni Gaudi or, in this case, Héctor Guimard (Paris Métropolitain entrances).

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